second volume of the hit+run presents “road kill” compilation series on limited-edition 12” colored vinyl. now on vinyl for the first time “road kill vol. 2” features fourteen hand-picked tracks that originally appeared on the compilation’s cd/digital release. each of the 400qty records pressed is a unique mixture of black & bone colored wax. the record comes housed inside a shrink-wrapped full-color offset printed jacket.

all time favorite album of the egyptian lover. including my house on the nile, whats a dj if he cant scratch, computer love, egypt egypt and girls. must have!

toby tobias has been responsible for some fine quality music over the past 10 years with labels such as rekids, nang, let’s play house and quintessentials all dropping his unique brand of raw, analogue house and techno. a dj’s dj who always seems to pull out a lesser known gem and make it sound like a classic, toby knows his music as well as his studio, inside out.<br /the 2x12 inch lp includes a cd-copy of the full album.>

300 limited copies / no repress.. newfact music presents solo ep from jam on « lost voices ».the ep is the groovy combination between machines and computer, house and techno, some sunny vibes for your summer.

powell unveils his brand new single ‘insomniac / should’ve been a drummer’.. his second release on xl recordings. following on from the acerbic ‘sylvester stallone / smut’ double a-side released earlier this year, the new single continues to blur the lines between contemporary club music, punk and forward-thinking computer acid. describing the music is a challenging prospect… but dancing to it isn’t. both as an artist in his own right and through the music released on his own label diagonal, oscar powell has established himself among this decade s most singular, exciting artists. the music is tough, but always playful.

a new surface related label from boss nick dunton aka 65d mavericks / ever vivid and charlton ravenberg aka tapirus
strong 4-tracker from vincent koreman aka drvg cvltvre / ra-x backed with a heavy remix from sound signature’s mighty specter
limited to 300 hand stamped white labels

incl. markus suckut, parris mitchell & dj spider remixes! with the original release marking rekids return from hiatus, radio slave s the clone wars is now revisited with a trio of new interpretations from three distinctive talents on house & techno. on the a side, markus suckut moulds the original into the kind of no-nonsense rolling techno jam that has personified his releases for mosaic and figure. the b side enlists two us talents in the shape of parris mitchell and dj spider, with the former bringing a glitchy take on the jacking chicago house that mitchell perfected in his timeless productions for dance mania, and the latter shaping the track into crunchy weirdo techno that sits perfectly alongside his output for the trilogy tapes and his own ny-based plan b recordings.

2015 re-release on vinyl - 3x12 inch lp includes cd. part of the 10 years because edition.
extremely well made and forward thinking new wave, electro, downtempo, hip hop, funk, compilation from 2006 (!!), long deleted and now available again in beautiful reedition + cd. featuring ranimators, master killa, the juan maclean, esg , justice etc…!

ltd 2015 repress , finest neo-detroit house tracks - tip!

nach seinem sensationellen comebackalbum syro in 2014 (inkl. grammy-nominierung!) und der computer controlled ep anfang 2015, knüpft der soundtüftler nun an seine acid-zeiten aus der mitte der 00er jahre an, als er als afx mit der analord-serie auf seinem eigenen rephlex-label den dancefloor unterminierte. die zusammenstellung orphaned deejay selek enthält komplett unveroeffentlichtes material aus den jahren 2006 2008, auf dem das genie seine liebe zu weirden acid-grooves auslebt

continuing on from vol 1 s theme of established artists working in disguise, music first vol 2 delivers another sonic assault with this absolute rollercoaster ride of a record. the mysterious scorpio t opens the ep with neptune rising , a squelching acid-bass boomer that can simultaneously spiritually elevate and physically devastate any dancefloor. rounding off side a it s followed by scandalous arthur s acid in my mind , a lo-fi tape-hissed jacking beast of a banger that sounds like it s genuinely been brewing in a vat of highly toxic acid for at least 25 years and guaranteed to melt your mind. on the flipside comes jax dax returning from vol 1 with the low-frequency moody slo-mo electro workout fucking computer that oozes bad attitude and booty-shaking basslines in equal abundance. bringing the trip to a close is kyrenic azalee with the self-titled kyrenic azalee , an x-rated new beat tour-de-force of epic proportions that will fry minds and bodies with its relentless energy. limited edition so don t sleep on it, not that it would let you.

a1. celestial encounter (original mix) 6:08 – 4×4 driven groover laced with choppy hi-hats, complexed rhythms, and orchestration only fit for mental travels. an uplifting tune of spirit and electronic sorcery. a2. ominous 4:58 – steely industrial percussion, creepy atmospheres, dance floor know-how. the honest depiction of the title lurking within the corners of your psyche. a3. celestial encounters (interlude) 1:22 a fine example of the latest in signature interludes from the optic nerve project. movement & imagination. b1. jazzy circuitry 4:49- moody, computer-ridden textures walking along side a odd-time signature until the introduction of the bassline and trippy piano keys seal the deal on craft & creation. niceness, indeed. b2. jazzy circuitry ( blaktonys step glide remix ) 4:18 traditional optic nerve ambience is chopped & rehashed into a 1/2 step groover then blasted into a full jam session by blaktony. madness/a complete new trip on the original structure & tune.

concept record alert! fairlights by fort romeau is a tribute to the - technically minded readers might raise an eyebrow - australian computer musical instrument that people like peter gabriel, herbie hancock or kate bush fell in love with during the late 1970s/early 1980s. anyways, if fort romeaus current album is like painting with oil, fairlights is like drawing with permanent marker- to quote the man himself. all based on the word saku, you will experience an epic journey evolving around heart-breaking dance-floor romanticism, jaw-breaking beat exercises, life-affirming ambient digressions, and a general feeling of spring fever.

we are artists with an inward perspective that toil endlessly to perfect our technique. we have proven ourselves over time as leaders of a beat less traveled. in this time of followers and cheap hustlers we are the oddities outside mainstream dogma. we are the heroes of cryovac. the rat pack of cryovac are keith kemp, kero, a. garcia, and kimyon huggins. we are a detroit based collective that come together from our personal projects to share our broad view of what techno is. keith provides a driving minimal sickness that builds and fades with dark intent. while kero relies on a random modular approach that is corralled by 4/4 beating. a. garcia produces a rocker that is driven by dirty soulful tones and choppy vocals. kimyon takes us out with a computer rhythm that is mixed down with straight human soul. this vinyl represents a combined effort of artists and craftsmen working together to bring this idea to life.

following the ewan pearson rsd mixes we present further high quality remixes of craig bratleys debut album from velvet season & the hearts of gold and midnight special. velvet season & the hearts of gold remix computer controlled, one of the stand out tracks from the album

slamming deep (house) album with great influences from hip hop / soul, funk, downbeat...

10 track 12- on collectable japanese label -snaker-. leaving signature fm synthesis work arcade game, blends with soft reggae feelings, his programming make more minimalismic, polyrhythmic and even funky approach through eerie,vertiginous,glistering and ominous without long dramatic notes. this primary sound make us mad, it has something common to lo-fi feeling or row house groove.

rrose is a recording artist for sandwell district, eaux and stroboscopic artefacts labels - james tenny was an electronic & computer music pioneer and one of americas greatest composers short info: rrose has found her own niche in the american techno underground. her hypnotic tracks incorporate ideas from ambient and minimalist music as prominently as they do the history of dance music, operating in the same fruitful cross-section between techno and the abstract as many other further records releases. the vinyl ep includes a postcard and download code.

sworn virgins is one of the many perverted projects from the blossoming mind of mutado pintado, legendary vocalist for paranoid london and save (the light was such a hit for us), head of warmduscher, general purveyor of chaos and diy videos. so this is all about rage and bits of broken down computer melted in tar, and this is probably our strongest release yet. we will let you look for what a sworn virgin actually is

the music strahil velchev alias kink creates for the 12-inch format is as playful and fanciful as it is functional and precise. his first outing for running back is no exception. inspired by the hardware of the same name, his cloud generator ep makes the most use of that. computer nerd symphonies and cyberpunk melodies for clubs, roofless raves and virtual racing games. wilhelm reich and william gibson would enjoy this. oh, and there is a breakbeat mix on here as well.

hardmon london is back with its fourth release, signed by the mysterious jay green. the concept is still the same: the achieved sound as most important element and obviously, it goes without saying, forget using a computer if you want to join the hardmoon london crew.

mit seiner band junip veröffentlichte er zwei großartige werke, arbeitete am soundtrack zu the secret life of walter mitty mit und steuerte gerade erst seine version von how we walk on the moon zu master mix: red hot + arthur russell bei. vestiges & claws wurde fast komplett von josé gonzález in eigenregie aufgenommen und produziert. zuhause in göteborg nutze er eigentlich nur computer plug-ins, um die songs aufzunehmen und dadurch einen warmen, analogen sound zu erzeugen. musikalisch führt das album das fort, was die beiden vorgänger schon angefangen haben: gedämpft und feinfühlig wirken die lieder, die die wunderbare stimme gonzález und sein verschachteltes gitarrenspiel in den vordergrund setzen ohne dabei besonders laut oder bombastisch sein zu müssen.

strut return to the archives of seminal chicago house label dance mania in january 2015 for dance mania: ghetto madness. the follow-up to strut’s acclaimed dance mania label retrospective hardcore traxx from early 2014, this new instalment places the spotlight on the raw, stripped back, hyper bpms of ghetto house and the rise of the movements fresh generation of stars during the mid90s including dj deeon, dj funk, jammin gerald and dj milton. the 180 gram double vinyl comes in gatefold sleeve, including cd.

after being returned from his abduction by aliens from the hidden planet nibiru, dj overdose was given an alien synthesizer the haex-hrll as a thank you for all the cerebral research the aliens did on him. on returning back to earth all dj overdose had to do was finish the 6 tracks the aliens had started to work on, which became this ep. straight forward techno hop electro funk without any fancy-pants pretentious hooha. its like a black and white movie which makes you think why the hell is there colors anyway?! after completion, the only record label he could imagine being fit for such rawness would be viewlexx... and so here it is.

t c f is the moniker of norwegian contemporary artist and experimental computer musician lars holdhus. his work explores themes of code, cryptography and privacy through the use of visual, sonic, built and written concepts. often the titles and descriptions of his work are written in cyphertext, the key to which is hidden within the piece itself. his forthcoming release on liberation technologies will further this cryptographic theme, consisting of digital and physical content containing the necessary keys to unlock the full meaning of the work.

a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

stalwart label tsuba continues its journey into eclectic musical territory with its next full-length project, *buy the ticket, take the ride*, the outstanding debut lp by english dark and dirty disco champion craig bratley. the double vinyl lp comes in a jute tote bag with download code included.
dj support from ewan pearson, erol alkan, justin robertson, damian lazarus, severino (horse meat disco), matt walsh, jacques renault, headman, mugwump, pete herbert, brett johnson, nathan detroit ...

limited 2014 repress !!
new member to the eklo family, vadim svoboda is a new talented artist from paris. he delivers 3 tracks full analog, no computer in the game. three cuts which show his modern micro house/techno vibe, full of deep subs, tight beats and futuristic glitches, every tracks were recorded live, a raw feeling all over.
no mp3s, vinyl only!

u is a producer and dj currently living in london. previous records for man make music have proven suitable for the club as well as home listening, while a collaboration with babe, terror as btu for erol alkans phantasy label was varyingly described as “pleasure with a sense of dread” (the line of best fit) and “akin to having five songs playing simultaneously on your computer” (the guardian) now phantasy present ‘haven in a heartfelt world’, a new 4 track ep from u, defined in an early review by mixmag as “mind-bendingly warped and beautifully distorted…9/10“.

teddy douglas, dj spen and maurice fulton don their those guys alias and invite jean-luc ponty to jump head first into their sampler down in baltimore to show some love, love, love and the result is this amazing 12 inch originally released on basement boys records in 1996. a truly deep beauty of a track that utilises pontys violin from 1983s *computer incantations for world peace* to the absolute maximum in over ten minutes of building bliss, *love love love* is an under the radar classic, a true gem and a real treat for all djs to play. the alternate mixes and bonus beats are also great, dj spens balto doo doo mix for example, keeping it thoroughly b-more with the old school breakbeats and snatches of the original sample jumping through the mix from time to time make this an essential weapon in any record bag! this 12 inch has been re-mastered and re-pressed in conjunction with the basement boys.

full, fresh and flashing re-issue of this huge orlando voorn classic!

rothmans is back with there 7th release and this time they pay homage to german playmaker paul breitner . the ep comes in the form of rising manchester producer ste spandex , fresh off the back of his remix of coyote our on rothmans 6 , and has been recorded 100% live on analogue eqiupment , not a computer in sight !!!! . the ep finds rothmans taking a slightly different and more up tempo vibe to it but still retains the psychadelic nu disco feel of many of there earlier releases. spandex has had a little help from his friends in the form of kickin pigeon and metrodome , both fresh out of the manchester underground. this is rothmans first all manchester release and sees them really cemeting the label in there surroundings.

cws (pronounced classicworks) is the new brainchild of cardopusher and nehuen, and their debut release for barcelona imprint struments records presenting their first explosive statement as a formulated duo.

fascination set of remixes of trentemollers recent album opus lost that already served as the logical continuation of his varied work and delivered his signature sound intact, yet it really didnt sound like anything hed ever produced before. the vinyl lp includes a download code.

finally the time has come! after a long 6-year wait the third edition of the popular computer incarnations for world peace series is due to release very soon. the idle time will be rewarded with a bunch of stunners: tracks by georges rodi & dave sarkys, brenda & the beach balls and anna domino will be featured on the compilation selected by sonar kollektiv-a&r-manager alex barck. of which more later, when the release is ready. to start with, an outright highlight of this set is gonna come out as a pre-release 12inch including two contemporary reinterpretations.

the last few years have seen chicago footwork rise to international success, and traxmans debut album - *the mind of traxman* on planet mu - played no small part in that. it showcased cornelius fergusons brilliant ability to synthesise the beat digging of classic hip hop with the high-speed abstraction of footworks house-derived beat science. the selection of tracks on this second chapter show a slightly different take on traxman s abilities. instead of bringing in concepts from other genres, he simply creates a wider variety of footwork, made with a minimal, reduced palette. often just one or two samples are selected and diced into brain-blurring cubist puzzles that bear little relation to their original sources, or anything else for that matter.
the double vinyl lp comes with download code.

editions haighton are homespun edits of dusty curios by hotflush recordings jack haighton. the first instalment of a quarterly series takes its cues from the italian disco scene of the early 80s, reworking cyber peoples *void vision* into a hi-nrg burner fit for the early hours at a former power plant, and jm bands *computer monkey* into a loopy tool with frills.

the air between words dürfte eines der wichtigsten elektronik-alben des jahres werden! featuring four tet und inga copeland!

unbroken dub lives up to his name with these 2 deep cuts for the 10th release in the rawax 10 inch series. pressing on translucent, ivory marbled vinyl.

nach seiner vielbeachteten compilation *nuggets 3* aus 2013 veröffentlicht der electronica-veteran luke vibert sein neues studioalbum auf dem jungen, ambitionierten hypercolour-label. *ridmik* ist eine hommage an den legendären roland tb-303 bassline-computer und knüpft an viberts warp-single *i love acid* aus 2003 an.

the third in the modular techno series from live analogue artist and freerotation organiser steevio. after 15 years of producing techno live on hardware, in 2009 steevio began building a dedicated machine on which he could totally improvise an entire techno performance from a blank canvas that far surpassed anything he could do with his previous setup of drum machines and synthesizers. steevio’s modular is 100 analogue, there is no computer involved, there are no memories to save sounds or sequencing patterns, and everything is improvised in real time.. volumes 1 and 2 of the series were just a taster of what was to come, and were the early experimentations on steevio’s newly built machine. steevio records everything he does, especially during the intense practice sessions for live gigs. all the music in the series are out-takes from these practice sessions, and the tracks from volume 3 and the forthcoming volume 4 all come from a three day period in practice for a recent live gig at delete, bournemouth, uk. volume 3 continues from where volume 2 left off but delivered with more confidence and a deeper more hypnotic feel. steevio continues to develop his skills and fine tunes his unique instrument in this dedicated for life project.

the stl project elevates you again on another lovely 12inch called magic23. with 4 tracks and 2 bonus loops, it is the continuation of the vinyl series in deep practiced something style and artful moody created beats and sound made by stephan laubner.

erol sarp and lukas vogel are grandbrothers. all their music is composed and recorded on the grand piano. erol plays the keys, while lukas creates the beat by using small self-made and programmed hammers that hit the grand piano. he captures these sounds on the computer, then manipulates and loops them.

commodity place project is back with two masterful compositions wrapped in a special colorful ep. the duo composed by roman musicians massimiliano loretucci (computer and synths) and riccardo frosoni (guitar and percussions) has set two amazing tracks letting the mind and body to travel far away till the most unreachable and undefined horizons of psychedelic music. on side a, >multifrequency behaviour of high energy cosmic sources< develops an intense journey into a nebulous space dimension where a wide range of fluffy cosmic echoes are stratified and stretched to the infinity, while human perception is totally kidnapped by ancestral voice effects. straight to the unknown ambient paradise. the endless 12 minutes of >ahura mazda< fill entirely the b side. a melodic start up loop on a mild 4/4 downtempo pace prepares the well coming of an outstanding solo guitar excursion with some psy-synths on background for a piece of music that we can literally define as an extraordinary psychedelic / krautrock symphony. so, now you are in. but remember: over the mystic mountains another earth could be found.